Showing Records: 61 - 70 of 105
Metropolitan Museum of Art. Folder 2, 1928-1930
File — Box: 10, Folder: 3
Scope and Contents
From the Sub-Series:
Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.
Dates:
1928-1930
Metropolitan Museum of Art. "Loan exhibition of the works of Thomas Eakins." (5 November-3 December 1917). Incl. annotated photocopy, 1917, undated
File — Box: 15, Folder: 23
Scope and Contents
From the Sub-Series:
This subseries documents the many exhibitions dedicated to or including works by Thomas Eakins from 1917 to 1986. It includes primarily original, but also some photocopied extracts from, exhibition catalogs, checklists, and other ephemera, such as invitations to openings and previews. A small number of exhibitions featuring works inspired by Thomas Eakins, rather than by him, are also documented, as are a few exhibitions from World Fairs. Of particular note are the catalogs for exhibitions...
Dates:
1917, undated
Metropolitan Museum of Art. Minatures: Thomas Eakins, 1944-1916: text by James T. Flexner (1956), 1956
File — Box: 24, Folder: 3
Scope and Contents
From the Sub-Series:
While many of the titles in this subseries represent works devoted to the life and works of Thomas Eakins, a significant number are the catalogs or handbooks published by museums with holdings that include works by Eakins. In regard to the former, Goodrich acquired several of Gordon Hendrick's studies. From the numerous annotations made to one of his copies of Hendrick's 1974 work, Goodrich considered it a significant resource for his own studies. Another book heavily annotated is that by...
Dates:
1956
Metropolitan Museum of Art (New York, N.Y.), 1927
File — Box: 7, Folder: 1
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1927
Metropolitan Museum of Art (New York, N.Y.), 1928
File — Box: 7, Folder: 2
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1928
Metropolitan Museum of Art (New York, N.Y.), 1929-1930
File — Box: 14, Folder: 7
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1929-1930
Metropolitan Museum of Art (New York, N.Y.), 1931-1932
File — Box: 22, Folder: 3
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1931-1932
Metropolitan Museum of Art (New York, N.Y.)
File — Box: 2, Folder: 3
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1923-1926; Majority of material found within 1925-1926
Metropolitan Museum of Art (New York, N.Y.), 1933-1936
File — Box: 33, Folder: 21
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1933-1936
Metropolitan Museum of Art (New York, N.Y.), 1953-1954, undated
File — Box: 97, Folder: 10
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1953-1954, undated
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